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While 2016 was less than what I expected, 2017 was slightly better. Holly showed more promise with vocals by releasing Til The End, which is my favorite song by him by far. It has an EDM-like plot to it, which means it’s very simple and general. I honestly don’t know what to say about Bloodclot, except that I have a tough time listening to it. In April 2017, Holly released a 7-track EP that was back to the same path he went down in 2016. Although I am not really crazy about instrumental tracks, I did enjoy the song Ghastly. I also enjoyed the catchy beat to Reaver that he released with Jaycen A’mour on August 2017. However, Plasticity sounds like other tracks, and I don’t like Drama because I also don’t like hip hop songs. Lastly for 2017, the December single called Chris Foley, gave me a headache.
2018 was also the same for 2016, as being he barely had any lyrics in any of his songs which doesn’t appeal to me or today’s social/pop scene. Everydays, Vol 1. wasn’t much of a volume, I didn’t really get the point of having an instrumental track labeled as part of a so-called series. Ashley Leone brought a great voice to the track Galaxy, and I actually enjoyed this song. I loved the bass drop in I Need You, and again Holly featured a great vocalist in The Tech Thieves. It’s nice to know Holly actually will release tracks like Til The End, I need You, and Galaxy from time-to-time. I didn’t understand what was being said with Hamm Sammich. Crash was okay, but I feel like I heard this kind of song before….. Oh right, I did.
|Til The End by Holly & Drivvin (2017)